choreography, performance, writing & video by Simon Ellis
Ellis, Simon. 2018. "That Thing Produced" In Ellis, S., Blades, H. & Waelde, C. (Eds.) A World of Muscle, Bone & Organs: Research and Scholarship in Dance. Coventry: C-DaRE at Coventry University, 2018: 480-498. [Download PDF].
Ellis, Simon. [Forthcoming]. “Pause. Listen.: Visibility and Freedom in Choreographic Practice” In Dance and the Quality of Life, edited by Karen Bond and Sally Gardner. Visibility and Freedom in Choreographic Practice. Springer.
Ellis, Simon, and Colin Poole. 2014. “Collaboration, Violence and Difference.” In Žižek and Performance, edited by Alex Mangold and Broderick Chow, 209–23. London: Palgrave. [Download PDF]
Ellis, Simon. 2013. “Book Review: A Choreographer's Score : Fase, Rosas Danst Rosas, Elena's Aria, Bartok, by Anne Teresa de Keersmaeker and Bojana Cvejic” International Journal of Performance Arts & Digital Media 9 (1): 217–20. [Download PDF]
Ellis, Simon. 2012. “Through Screens.” The International Journal of Screendance 2 (Spring): 86–88. [Download PDF]
Ellis, Simon. 2011. “Gertrud: Collaborating with the Past.” Society for Dance Research Newsletter July (50): 5–8. [Download PDF]
Boyce, Elizabeth, Simon Ellis, and Colin Poole. 2011. “My Name Is Colin, and This Is Simon.” Choreographic Practices 1 (1): 65–78.
Ellis, Simon. 2010. “Anamnesis (Remembered).” Journal of Media Practice 11 (3): 267–80. [Download PDF]
Ellis, Simon. 2010. “Watching.” International Journal of Screendance 1 (May): 127–32. [Download PDF]